STUDIUL ARTELOR ȘI CULTUROLOGIE: istorie, teorie, practică – Nr. 2 (45), 2023

Nr. 2 (45), 2023

Arta Muzicală
Melnic Victoria , Andrieş Vladimir
ELEGANCE AND VIRTUOSITY: THE VIOLA CONCERTO IN THE CLASSICAL ERA
Dika Nina
“SONATA OF PSALMS” FOR TWO FLUTES, PIANO AND HUMAN VOICE AD LIBITUM BY V. KAMINSKY: ARTISTIC CONCEPT AND ITS REALIZATION
Sviridenko Natalia
J.S. BACH’S METHOD OF PLAYING THE CLAVIER AND ITS TRANSFORMATION INTO MODERN PIANO PEDAGOGY AND PERFORMANCE
Vitiuc Alexandr
PORTRAIT OF TRACY FOR BASS GUITAR SOLO BY JACO PASTORIUS IN THE CONTEXT OF THE APPLICATION OF FLAJEOLET TECHNIQUE
Teatru
Şchiopu Constantin , Folea Aurelia
PARTICULAR AND UNIVERSAL CULTURE VERSUS CONSUMER CULTURE: AN EPISTEMOLOGICAL APPROACH
Dohotaru Maia
THE CREATION OF ARTISTIC / AESTHETIC VALUES WITHIN THE CHOREOGRAPHIC ART EDUCATION
Gaju Emil
THE ART OF THE ACTOR – BASIC ELEMENT IN THE CREATION OF THE THEATRICAL PERFORMANCE
Muzica
Rocaciuc Victoria
ETHNOFOLKLORE REPRESENTATIONS IN MOLDOVAN PAINTING OF THE 1970S
Marian Ana
STYLISTIC IMPLEMENTATIONS IN THE MOLDAVIAN SCULPTURAL ANIMAL GENRE
Științe Socio-Umane
Fonari Victoria
THE SYMBOL OF THE SPIDER: FROM THE MYTH OF ARACHNE TO THE POEM OF ION HADÂRCĂ
Ciobanu Liliana
DIALOGUE OF IDEAS IN THE BAROQUE OPERA: SOCIO-CULTURAL AND PHILOSOPHICAL REFLECTIONS
Folea Aurelia
THE CULTURAL MODEL – PREMISE OF HUMAN IDENTITY FORMATION

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Melnic Victoria

Redactor-șef, Republica Moldova

Doctor în studiul artelor, profesor universitar Redaction

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